To simplify some ongoing issues, please give me the 1024×1024 quicktime video and the stereo wav separately. I will then combine all the shows into one big continuous piece and it will be a smoother experience in the dome.
Therefore it is imperative that you check the final video/sound syncing prior to giving it to me. So please drop the MOV and WAV into Final Cut or Premiere and test the syncing.
Explanation: Several groups are handing off the finalized video to the sound person. Then the video was getting its aspect ratio and fps adjusted since their sound software was re-exporting it with different settings. Of course you should feel free to continue bringing the video into your sound software for editing/playing with sound, but then only export a wav for your final sound piece. The video should come directly from After Effects, Fincal Cut, Premiere, etc. And the audio should come directly from software of choice. If this is confusing, then we can chat in person to smooth it all out.
Strange as it may seem today to say, the aim of life is to live, and to live means to be aware joyously, drunkenly, serenely, divinely aware. In this state of god-like awareness one sings; in this realm the world exists as poem. No why or wherefore, no direction, no goal, no striving, no evolving. Like the enigmatic Chinaman one is rapt by the everchanging spectacle of passing phenomena. This is the sublime, the a-moral state of the artist, he who lives only in the moment, the visionary moment of utter, far-seeing lucidity. Such clear icy sanity that it seems like madness. By the force and power of the artist’s vision the static, synthetic whole which is called the world is destroyed. The artist gives back to us a vital, singing universe, alive in all is parts.
And so the most creative type — the individual artist type — which had shot up highest and with the greatest variety of expression, so mush so as to seem ‘divine,’ this creative type of man must now, in order to preserve the very elements of creation in him, convert the doctrine, or the obsession of individuality, into a common collective ideology. This is the real meaning to the Master-Exemplar, of the great religious figures who have dominated human life from the beginning. At their further peak of blossoming they have but emphasized their common humanity, their innate, rooted, inescapable humanness. Their isolation, in the heavens of thought, is what brings about their death.
I just ran across this inexpensive fisheye lens. Its not at all clear from the manufacturer website, but from the blog I can gather that APS-C & APS-H sensors (most digital cameras) would probably work just fine and project the full fisheye circle with no cropping onto the sensor. I know that some newer Nikon and Canon cameras can record video… perhaps this will interest some of you.
H264 codec I think that final cut was havign problems exporting into the sorenson3 codec (the issue of blocking & reverse-color-pop for any crossfades).
— So lets just having everyone use the h64 codec. Hopefully this will fix the weird issue.
— Your settings might look different, but here are the basic preferences to guide you.
The Cosmix initiative is a community building effort on the part of the Ringling College of Art and Design, Bishop Planetarium at the South Florida Museum, and Riverview High School Planetarium to lay groundwork for a number of potential collaborations that would extend the reach of these institutions into relationships with new audiences.
I just ran across this and thought you all might find it inspirational.
The gonzo futurist is a super-empowered hopeful individual. She may have been a ‘graduate with no future’ (Mason, 2011), or the victim of public sector cuts, but has since grieved and moved on. She plays, tests, and play tests; making the best of the tools and technologies at her disposal. Comfortable calling on (and being called on by) her friends, peers, and tribe, her sense-making skills are social and connected. Her thinking may, occasionally, ‘be located inside the brains of other people.’ (Wheeler, 2011)
The gonzo futurist is a ‘deep generalist’ (Cascio, 2011) and ‘analytical polyglot’ (Smith, 2011). She has an ‘almost supernatural awareness of impacts and implications … [is] ready to adapt when necessary, building long-lasting systems when possible.’ (Cascio, 2011) Like Cayce Pollard, she is a ‘woman of affect, not of feeling (…) [an] empress of the amygdala.’ (Berlant)
The gonzo futurist is resilient. She works smart, not hard. She has one eye on the ‘adjacent possible’, switches codes, and contributes to the commons. She may be privileged, but has no time for competition, alpha male dick-waving, or beggar-thy-neighbour. Her success does not come at your expense.
Bombarded by stimuli, the gonzo futurist is an OODA cyborg. Observe, orient, decide, act.
Also a beautiful definition of metamodernism. Mmmmmm!
Van den Akker and Vermeulen define metamodernism as a continuous oscillation, a constant repositioning between positions and mindsets that are evocative of the modern and of the postmodern but are ultimately suggestive of another sensibility that is neither of them: one that negotiates between a yearning for universal truths on the one hand and an (a)political relativism on the other, between hope and doubt, sincerity and irony, knowingness and naivety, construction and deconstruction. They suggest that the metamodern attitude longs for another future, another metanarrative, whilst acknowledging that future or narrative might not exist, or materialize, or, if it does materialize, is inherently problematic.